{"id":7384,"date":"2018-10-16T20:15:59","date_gmt":"2018-10-16T19:15:59","guid":{"rendered":"http:\/\/www.progradar.org\/?p=7384"},"modified":"2026-08-21T01:05:53","modified_gmt":"2026-08-21T00:05:53","slug":"review-kalin-tonev-machine-years-by-progradar","status":"publish","type":"post","link":"https:\/\/progradar.co.uk\/index.php\/2018\/10\/16\/review-kalin-tonev-machine-years-by-progradar\/","title":{"rendered":"Review &#8211; Kalin Tonev &#8211; Machine Years &#8211; by Progradar"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2018\/10\/cover.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7386\" src=\"https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2018\/10\/cover-300x300.jpg?resize=300%2C300&#038;ssl=1\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2018\/10\/cover.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2018\/10\/cover.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2018\/10\/cover.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2018\/10\/cover.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2018\/10\/cover.jpg?w=2000&amp;ssl=1 2000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>I love a powerful instrumental album but they have to work harder than your normal release due to there being no words to elucidate the songwriter&#8217;s thoughts and ideas.<\/p>\n<p>The best ones are chock full of brilliant instrumental phases and phrases and tend to not let each track follow the same musical path.<\/p>\n<p>Hailing from Sofia, Bulgaria, <strong>Kalin Tonev <\/strong>was previously known as the heart and the leader\/composer\/keyboardist of the prog rock project <strong>TravelHouse<\/strong>. Tonev released just a single album (&#8216;<em>Mind Mapping&#8217;<\/em>&#8211; 2008) under this moniker, but it gained some favorable reviews in the main prog rock sites. Kalin began working on his debut solo effort,<em> &#8216;Machine Years&#8217;,<\/em> spanning the whole gamut of prog signatures.<\/p>\n<p>Spread over thirteen tracks and covering sixty-five minutes,<em> &#8216;Machine Years&#8217; <\/em>is a thoroughly involving musical experience. Massively injected with the classic 70&#8217;s lines, modern electronic scapes with occasional dark and heavy riffs, it is a theatrical journey awash with catchy melodies and intelligent moments intertwined with a more industrial, dystopian edge in places.<\/p>\n<p>Kalin&#8217;s signature synth sound is dynamic and edgy with a real feel to it and he is joined on this impressively involving soundscape by three talented guitarists, <strong>Nenko Milev<\/strong>, <strong>Daniel Eliseev<\/strong> and <strong>Biser Ivanov<\/strong>. Their frenetic, energetic and compelling playing adds force and vigour to an already compelling mix.<\/p>\n<p>There are moments of wonderful clarity when Kalin&#8217;s vintage keyboards soar to the heavens and these are countered by the somber, skittish feel when the music takes a more chaotic route. It&#8217;s a record full of memorable tunes but the highlights for me are <em><strong>Short Story About Tanks<\/strong><\/em>, <em><strong>Beings<\/strong><\/em>, <em><strong>Mad Dancer<\/strong><\/em>, <em><strong>News From Nowhere <\/strong><\/em>and the hypnotic <em><strong>This Empty Space<\/strong><\/em>.<\/p>\n<p>Complex industrial, instrumental progressive rock with a lush and thoughful side, <em>&#8216;Machine Years&#8217; <\/em>is an impressive debut and should see this talented musician really forge a name for himself.<\/p>\n<p>Released 27th January 2017<\/p>\n<p><a href=\"https:\/\/kalintonev.bandcamp.com\/releases\">Order the album from bandcamp here<\/a><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/tM0Qu-ktHSc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I love a powerful instrumental album but they have to work harder than your normal release due to there being no words to elucidate the songwriter&#8217;s thoughts and ideas. The best ones are chock full of brilliant instrumental phases and phrases and tend to not let each track follow the same musical path. Hailing from [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7393,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3,2],"tags":[3739,3738,3735,3736,332,3737,15],"class_list":["post-7384","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","category-reviews","tag-biser-ivanov","tag-daniel-eliseev","tag-kalin-tonev","tag-machine-years","tag-martin-hutchinson","tag-nenko-milev","tag-progradar"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/phnn7q-1V6","jetpack-related-posts":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2018\/10\/15578282_10211560256422445_5464163082168863708_o.jpg?fit=1365%2C1365&ssl=1","_links":{"self":[{"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/7384","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=7384"}],"version-history":[{"count":2,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/7384\/revisions"}],"predecessor-version":[{"id":15920,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/7384\/revisions\/15920"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/media\/7393"}],"wp:attachment":[{"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=7384"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=7384"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=7384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}