{"id":6599,"date":"2018-06-05T19:30:24","date_gmt":"2018-06-05T18:30:24","guid":{"rendered":"http:\/\/www.progradar.org\/?p=6599"},"modified":"2026-08-21T01:04:33","modified_gmt":"2026-08-21T00:04:33","slug":"review-fates-warning-live-over-europe-by-jez-denton","status":"publish","type":"post","link":"https:\/\/progradar.co.uk\/index.php\/2018\/06\/05\/review-fates-warning-live-over-europe-by-jez-denton\/","title":{"rendered":"Review – Fates Warning – Live Over Europe – by Jez Denton"},"content":{"rendered":"

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The reason for listening to live albums, for me, is one of two. Either it is listening to an album to remind you of an amazing gig you\u2019ve been at such as Queen\u2019s<\/strong> ‘Live Magic’<\/em> or the Marillion<\/strong> bootleg series or it is to get a different level of enjoyment of a band you wish you\u2019d seen at their pomp, ‘Slade on Stage’<\/em> and Thin Lizzy <\/strong>– ‘Live and Dangerous’<\/em> being great examples. But listening to a live album from a band you don\u2019t really know? It\u2019s kind of a weird experience.<\/p>\n

Such a band, pretty much unknown to me (despite a 30 odd year career) is Fates Warning<\/strong>, who are releasing their ‘Live Over Europe’<\/em> double CD (3 LP) live album on the 29th<\/sup> June. I didn\u2019t really know what to expect and I must admit, seeing that there are 23 tracks on this release, I viewed it with quite some trepidation. It\u2019s quite an epic amount of music to get through, especially if it\u2019s new to you. Would I get through it? Would it hold my attention? Would it make me care enough to want to like it?<\/p>\n

Thankfully, it answered all my worries right from the opening track, the masterful From The Rooftops<\/strong><\/em>. This is a loud, dynamic, symphonic and brutal heavy metal assault on the senses, a barrage of melodic noise, crunching guitars and a piercing rock vocal from singer Ray Alder<\/strong>. This is music designed to be noise terrorism, a building crescendo of discordant melodies voiced by an angelic voice; OK, a Hell\u2019s Angel but still, what a combination they make.<\/p>\n

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It is Alder\u2019s voice that truly makes this album for me. Like many more famous rock frontmen with great ranges, Alder isn\u2019t drowned by the melodic noise behind him, he soars and rises above it, taking the various crowds with him, reaching heights that you feel can\u2019t be surpassed until Alder surpasses them himself. The crowds are part of this show, the adulation and commitment add to the whole package of this album which has been fabulously mixed (Jens Borgen<\/strong>) and mastered (Tony Lindgren<\/strong>). The songs chosen are brilliantly paced, have moments of both introspection and crescendo; from the first tracks I genuinely couldn\u2019t wait to see where the next song would go. It certainly has made me want to look up the studio recordings of this band.<\/p>\n

In my opening paragraph I mentioned that one of the reasons for listening to live albums was, in a sense, nostalgia for gig memories the listener may have experienced. This album, in a weird way, taps into that idea too. Listening to the album I drifted back to a time when I saw bands like Iron Maiden<\/strong> in smaller theatre settings, or when I saw bands like Nuclear Assault<\/strong> and Suicidal Tendencies<\/strong> in club venues. It took me back to a time when I used to work doors and stage duties at rock clubs in the North East of England as security. It reminded me, in those days before health and safety and the wearing of ear defenders, why my hearing is completely fucked! If you know Fates Warning<\/strong> this is a must buy release and, if you don\u2019t I\u2019d suggest investing in it as you won\u2019t regret it all.<\/p>\n

Released June 29th 2018<\/p>\n

Order the album from Burning Shed here<\/a><\/p>\n