{"id":6470,"date":"2018-04-29T17:00:24","date_gmt":"2018-04-29T16:00:24","guid":{"rendered":"http:\/\/www.progradar.org\/?p=6470"},"modified":"2026-08-21T15:55:19","modified_gmt":"2026-08-21T14:55:19","slug":"review-the-slyde-awakening-by-progradar","status":"publish","type":"post","link":"https:\/\/progradar.co.uk\/index.php\/2018\/04\/29\/review-the-slyde-awakening-by-progradar\/","title":{"rendered":"Review &#8211; The Slyde &#8211; Awakening &#8211; by Progradar"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2018\/04\/TheSlyde-Awakening-cover.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6346\" src=\"https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2018\/04\/TheSlyde-Awakening-cover-300x290.jpg?resize=300%2C290&#038;ssl=1\" alt=\"\" width=\"300\" height=\"290\" srcset=\"https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2018\/04\/TheSlyde-Awakening-cover.jpg?resize=300%2C290&amp;ssl=1 300w, https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2018\/04\/TheSlyde-Awakening-cover.jpg?resize=768%2C742&amp;ssl=1 768w, https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2018\/04\/TheSlyde-Awakening-cover.jpg?w=795&amp;ssl=1 795w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>There&#8217;s some powerhouse artists that have come out of Canada, <strong>Rush<\/strong> and <strong>Bryan Adams<\/strong> immediately come to mind, but it&#8217;s not known as a hotbed of emerging talent on the whole.<\/p>\n<p>Last year I reviewed an EP full of intelligent and complex<em> &#8216;heavy-prog&#8217; <\/em>songs that showed a huge amount of promise from four piece Canadian band <strong>Slyde<\/strong>. They have taken the four tracks of <em>&#8216;Back Again&#8217; <\/em>and added six new songs to create their first full-length offering <em>&#8216;Awakening&#8217; <\/em>and also added <em>&#8216;The&#8217;<\/em> to the front of their name.<\/p>\n<p>The new tracks are the first six on this impressive release, <strong>Nathan Da Silva&#8217;s <\/strong>soaring riffs and <strong>Sarah Westbrook&#8217;s<\/strong> dynamic keyboards dominate the band&#8217;s edgy and high energy sound with the energetic and potent rhythm section of <strong>Brendan Soares<\/strong> (drums) and <strong>Alberto Campuzano <\/strong>(bass) providing the up-tempo drive. This potent brew is topped off with <strong>Nathan&#8217;s <\/strong>distinctive vocals (comparisons with <strong>Geddy Lee<\/strong> are indeed merited) to deliver some quality melodic prog-rock that brings to mind bands like the aforementioned <strong>Rush<\/strong> along with<strong> Haken<\/strong>, <strong>Coheed and Cambria<\/strong> and <strong>Circa Survive<\/strong>.<\/p>\n<p>The short intro of <em><strong>Awaken <\/strong><\/em>leads you into a powerful collection of tracks that have this forceful and charismatic feel and a seemingly boundless supply of high octane energy that carries you along on a wave of compelling and vitalising music.<\/p>\n<p>You want a catchy, addictive chorus? <strong>The Slyde<\/strong> tick that box, thunderous riffing yep, that too, coruscating guitar solos of course! There&#8217;s nothing that this highly impressive collection of musicians seem to have left out of their locker.<\/p>\n<p>Highlights of the new tracks, for me, are title track <em><strong>Awakening <\/strong><\/em>and <em><strong>So Blind <\/strong><\/em>but every song is a compact ball of progressive magnetism and captivate with equal force and hearing the final four tracks that made up <em>&#8216;Back Again&#8217; <\/em>brings a huge grin to my face, remembering what I enjoyed about them in the first place, <em><strong>Fading <\/strong><\/em>and <em><strong>Divide <\/strong><\/em>especially.<\/p>\n<p><em><strong>The Slyde <\/strong><\/em>have returned with one of the year&#8217;s more idiosyncratic and left-field releases and, once again, they deliver a thunderously powerful and yet thought provoking collection of songs with an aggressive and weighty edge but never forgetting that melody is king, highly impressive.<\/p>\n<p>Released 18th May 2018<\/p>\n<p><a href=\"https:\/\/theslyde.bandcamp.com\/album\/awakening\">Order &#8216;Awkening&#8217; from bandcamp here<\/a><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/wvnaXVJRSYQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>There&#8217;s some powerhouse artists that have come out of Canada, Rush and Bryan Adams immediately come to mind, but it&#8217;s not known as a hotbed of emerging talent on the whole. Last year I reviewed an EP full of intelligent and complex &#8216;heavy-prog&#8217; songs that showed a huge amount of promise from four piece Canadian [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6345,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3,2],"tags":[1756,2984,1757,332,1695,15,1696,2983],"class_list":["post-6470","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","category-reviews","tag-alberto-campuzano","tag-awakening","tag-brendan-soares","tag-martin-hutchinson","tag-nathan-da-silva","tag-progradar","tag-sarah-westbrook","tag-the-slyde"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/phnn7q-1Gm","jetpack-related-posts":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2018\/04\/The-Slyde-2018-band-photo.jpg?fit=1024%2C683&ssl=1","_links":{"self":[{"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/6470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=6470"}],"version-history":[{"count":6,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/6470\/revisions"}],"predecessor-version":[{"id":17322,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/6470\/revisions\/17322"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/media\/6345"}],"wp:attachment":[{"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=6470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=6470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=6470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}