{"id":6397,"date":"2018-04-23T18:15:53","date_gmt":"2018-04-23T17:15:53","guid":{"rendered":"http:\/\/www.progradar.org\/?p=6397"},"modified":"2026-08-21T01:04:14","modified_gmt":"2026-08-21T00:04:14","slug":"review-plenty-it-could-be-home-by-james-r-turner","status":"publish","type":"post","link":"https:\/\/progradar.co.uk\/index.php\/2018\/04\/23\/review-plenty-it-could-be-home-by-james-r-turner\/","title":{"rendered":"Review – Plenty – It Could Be Home – By James R. Turner"},"content":{"rendered":"

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I think Mabel Greer\u2019s Toyshop<\/strong> probably have the record for the longest space between being formed and releasing their debut album, however Plenty<\/strong> are running them a close second, originally being formed back in 1986, and with this, their old material rediscovered, reworked and released here for the first time, it\u2019s an album that\u2019s only been 32 years in the making. Hell, I work with people younger than that (which makes me feel old). Anyhow why should a band who didn\u2019t record anything in the 80\u2019s and reappear here matter?<\/p>\n

It matters because Plenty<\/strong> were Tim Bowness<\/strong> pre No-Man band. Made of Tim, Brian Hulse<\/strong> (keys\/synths\/guitars, drum programming) and David K Jones<\/strong> (bass\/bass pedals) who got back together to record and finally put down their music for posterity. All this complete with the Carl Glover<\/strong> cover (he truly is the Hipgnosis<\/strong> of modern music).<\/p>\n

So, what we get here is the songs of their youth revisited and reworked with the wisdom of years and experience weighing on them.<\/p>\n

Now Tim has one of the finest voices in contemporary music, that is a given, and he can add poignancy and emotion to so many things, hell he could even turn my shopping list into an emotional rollercoaster. As he (as we all have) gets older his voice, like a fine wine, is maturing and it\u2019s fascinating to hear the words of his youth on tracks like As Tears Go By<\/strong><\/em> or Foolish Waking<\/strong><\/em>, and the title track, filtered through the years of experience.<\/p>\n

Sitting firmly on the more atmospheric song writing side of the 80\u2019s that threw up bands like The Blue Nile<\/strong>, How We Live <\/strong>and Miracle Mile<\/strong>, Plenty<\/strong> are almost the proving ground for ideas and sounds that would come to fruition in No-Man<\/strong> (and, indeed, Tim\u2019s later solo career).<\/p>\n

That doesn\u2019t mean that this album is a historical curio, to be filed away under listen once out of completists interest, oh no, ‘It Could Be Home’<\/em> is a gem of a record with a plethora of special guests that help enhance the already strong tracks on here. When you get Michael Bearpark<\/strong> adding his guitar work to Foolish Waking<\/strong><\/em> and Every Stranger’s Voice<\/strong><\/em> and Pete Chilvers<\/strong> on those and Never Needing<\/strong><\/em>, you know you\u2019re listening to an album that oozes class and quality from every musical moment.<\/p>\n

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In fact, as these 10 tracks breathe and grow, you are drawn into their world as Bowness’ vocals take you on their journey. However this isn\u2019t all about Tim, this is a true group album and it\u2019s wonderful to hear him part of the group where he cut his teeth.<\/p>\n

It\u2019s an interesting hybrid of 1980\u2019s musical ideas with 2018\u2019s production techniques and that makes it harder to categorize. Is it a reissue? Is it a new album? Or is it a curious amalgam of the two? Either way, there\u2019s lots here for any fan of ambient song writing and, of course, fans of Tim\u2019s voice to love.<\/p>\n

It\u2019s quite ironic to think that had this been released in the late 1980\u2019s it probably would have got lost in the whole Madchester phase that was sweeping the nation and become a cult classic to maybe a dozen students in a bedsit somewhere, with the vinyl commanding huge prices on eBay.<\/p>\n

Here, on release it\u2019s now likely to hit a far wider audience, who will appreciate the delicacy and beauty in these songs, as well as the song writing skills here.<\/p>\n

This is one of those albums that slowly insinuates itself into your soul until you find yourself humming sections of it to yourself as you’re filling up the kettle and is one of those albums that Tim perfected with No-Man<\/strong>, where the space in between the music is just as important.<\/p>\n

As an exercise in minimalist pop\/rock it works to perfection and reveals itself to be far more than just a nostalgia ride, this is living breathing music for the heart, mind and soul, and as such is a fantastic piece of music.<\/p>\n

The best things in life come to those who wait, and this was well worth waiting for, maybe best not leave it so long next time chaps.<\/p>\n

Released 27th April 2018<\/p>\n

Order ‘It Could Be Home’ from Burning Shed here<\/a><\/p>\n