{"id":3519,"date":"2017-01-03T13:51:34","date_gmt":"2017-01-03T13:51:34","guid":{"rendered":"http:\/\/www.progradar.org\/?p=3519"},"modified":"2026-08-21T01:00:06","modified_gmt":"2026-08-21T00:00:06","slug":"review-the-brackish-liquid-of-choice-by-james-r-turner","status":"publish","type":"post","link":"https:\/\/progradar.co.uk\/index.php\/2017\/01\/03\/review-the-brackish-liquid-of-choice-by-james-r-turner\/","title":{"rendered":"Review &#8211; The Brackish &#8211; Liquid Of Choice &#8211; By James R. Turner"},"content":{"rendered":"<p>(Featured image credit <strong>Simon Holliday<\/strong>)<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2017\/01\/cover.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3521\" src=\"https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2017\/01\/cover.jpg?resize=300%2C300&#038;ssl=1\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2017\/01\/cover.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2017\/01\/cover.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2017\/01\/cover.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2017\/01\/cover.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2017\/01\/cover.jpg?w=1400&amp;ssl=1 1400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>I have no idea at all how Bristol instrumental band, <strong>The Brackish<\/strong> have slipped through my radar considering I live in Bristol and have been to a fair few alternative and prog gigs here, considering they\u2019ve been plying their trade since 2013, and I\u2019ve been back since 2014 you\u2019d have thought I\u2019d have found them by now.<\/p>\n<p>Still, I have, and as usual it\u2019s chief Elephant <strong>David Elliot<\/strong> who, when not pestering <strong>Tom Slatter<\/strong> for an album, is out their finding new bands for us to enjoy.<\/p>\n<p>He puts the miles in so we don\u2019t have too, reward yourself with a curry for this one David, you\u2019ve earned it!<\/p>\n<p>This, <em>&#8216;Liquid of Choice&#8217;<\/em> is their 2<sup>nd<\/sup> album, their debut for BEM and their follow up to 2014\u2019s <em>&#8216;Big Guys&#8217;<\/em>.<\/p>\n<p>With a wide spectrum of releases this year, it seems only appropriate that from the home of <strong>The Fierce and the Dead<\/strong> comes an all instrumental guitar driven album, powered by the duelling guitar work of <strong>Luke Cawthra<\/strong> and <strong>Neil Smith<\/strong> and driven by <strong>Matt Jones<\/strong> on drums and<strong> Jacob Myles Tyghe<\/strong> on bass.<\/p>\n<p>Running the gamut from psychedelic rock to the blues to elements of <strong>King Crimson<\/strong>, their sound is fresh, funky and powerful.<\/p>\n<p>From the opening title track with it\u2019s mix of funky riffs and languid guitar work, the intricate wall of sound that is <strong>The Brackish<\/strong> calling card is deployed to great effect, the way the duel guitars work in tandem particularly during the quieter passages brings bands like <strong>Wishbone Ash<\/strong> to mind, whilst the drum and bass anchor the music, allowing the guitars to fly.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2017\/01\/Guitar.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3522\" src=\"https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2017\/01\/Guitar.jpg?resize=300%2C198&#038;ssl=1\" alt=\"\" width=\"300\" height=\"198\" srcset=\"https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2017\/01\/Guitar.jpg?resize=300%2C198&amp;ssl=1 300w, https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2017\/01\/Guitar.jpg?resize=768%2C508&amp;ssl=1 768w, https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2017\/01\/Guitar.jpg?w=960&amp;ssl=1 960w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Picture courtesy of Ed Sprake Phtography.<\/strong><\/p>\n<p>There is a lot of skill and ability here, and whilst it\u2019s very easy to make an instrumental album, it\u2019s also very easy for people to dismiss instrumental music as nothing more than wallpaper (as I\u2019ve said before and will no doubt say again!) but when it\u2019s done well, as it is here then it\u2019s a joy to behold.<\/p>\n<p>Making music is like a sonic jigsaw, if the pieces don\u2019t fit it doesn\u2019t work, here however is sheer musical bliss, the diverse sounds and mood changes in <em><strong>Loggins Breakdown<\/strong><\/em> for instance is worth 11 minutes of anyone\u2019s time, and if you disagree you I\u2019ll set T<strong>om Slatter<\/strong> on you!<\/p>\n<p>Their mix of light and dark is sublime, as is their use of funk, particularly on the toe tapping <em><strong>Something Negative on the Dancefloor<\/strong><\/em> (maybe they\u2019ve seen me dancing) and here the bass is adding to the sound, making it a third guitar.<\/p>\n<p><em><strong>Cactus Gulch and the Hellish Walk Home<\/strong><\/em> is 12 minutes of sheer brilliance, from the title to the driving riffs and time changes, it feels like a musical journey and one you want to join them on, the interplay between all four of them is amazing and you can tell they know exactly where their sound needs to be at any one time, and it\u2019s wonderful to hear such musical empathy.<\/p>\n<p>Their sound is unique, and this finely crafted and sublimely performed album is another musical string to the <strong>Bad Elephant<\/strong> bow, my new Years Resolution is to see <strong>The Brackish<\/strong> live in Bristol, and I urge you all to do the same.<\/p>\n<p>Released 14th September 2016<\/p>\n<p><a href=\"https:\/\/thebrackish.bandcamp.com\/album\/liquid-of-choice\">Buy &#8216;Liquid Of Choice&#8217; from Bad Elephant Music on bandcamp<\/a><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/3LfqFKTm4x0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Featured image credit Simon Holliday) I have no idea at all how Bristol instrumental band, The Brackish have slipped through my radar considering I live in Bristol and have been to a fair few alternative and prog gigs here, considering they\u2019ve been plying their trade since 2013, and I\u2019ve been back since 2014 you\u2019d have [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3520,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3,2],"tags":[37,333,1684,1105,1680,1681,1683,1682,15,1679],"class_list":["post-3519","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","category-reviews","tag-bad-elephant-music","tag-david-elliott","tag-jacob-myles-tyghe","tag-james-r-turner","tag-liquid-of-choice","tag-luke-cawthra","tag-matt-jones","tag-neil-smith","tag-progradar","tag-the-brackish"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/phnn7q-UL","jetpack-related-posts":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/progradar.co.uk\/wp-content\/uploads\/2017\/01\/Band.jpg?fit=960%2C640&ssl=1","_links":{"self":[{"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/3519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=3519"}],"version-history":[{"count":5,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/3519\/revisions"}],"predecessor-version":[{"id":15390,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/3519\/revisions\/15390"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/media\/3520"}],"wp:attachment":[{"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=3519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=3519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/progradar.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=3519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}