{"id":11754,"date":"2023-05-24T14:11:17","date_gmt":"2023-05-24T13:11:17","guid":{"rendered":"https:\/\/www.progradar.org\/?p=11754"},"modified":"2026-08-21T16:04:22","modified_gmt":"2026-08-21T15:04:22","slug":"progradars-qa-with-darran-charles-of-godsticks","status":"publish","type":"post","link":"https:\/\/progradar.co.uk\/index.php\/2023\/05\/24\/progradars-qa-with-darran-charles-of-godsticks\/","title":{"rendered":"Progradar’s Q&A With Darran Charles of Godsticks"},"content":{"rendered":"\n
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Ahead of the release this Friday of the band’s acclaimed new album ‘This Is What A Winner Looks Like’<\/em>, Progradar sat down with frontman\/guitarist Darran Charles<\/strong> to get the lowdown…<\/p>\n\n\n\n

1.     <\/strong>Godsticks were formed in 2009, for you, personally, how much has the music scene changed in the last 14 years <\/strong> <\/p>\n\n\n\n

Good question. I suppose in terms of the prog scene, I\u2019ve seen that a subset of Prog \u2013 Prog metal \u2013 has now become the dominant force in terms of popularity, and arguably they\u2019ve become the new boundary pushers, which is what prog has always been known for.<\/p>\n\n\n\n

Obviously the way music is now consumed means there\u2019s less income to be derived from the sale of physical media, so we now see bands having to earn their income mainly from touring. And since Brexit it\u2019s also proving cost-prohibitive to play shows in Europe. All in all, there hasn\u2019t been much that has changed for the better for bands!<\/p>\n\n\n\n

That said, the consumer has never had it so good. The music scene is absolutely saturated with bands and a huge percentage of these bands are absolutely great. As technology has become more accessible as the years go by you see more and more people being able to exercise their creativity and produce things on par with anything that was created with a huge studio budget.<\/p>\n\n\n\n

2.     <\/strong>Who were your influences then and who are they now <\/strong><\/p>\n\n\n\n

At the time of the EP, I was mostly listening to Frank Zappa, Steely Dan, and a lot of jazz-fusion. I might have even been listening to Alison Krauss a lot.<\/p>\n\n\n\n

It\u2019s hard to say who my influences are currently. I listen to music a lot differently than I did when I was younger, and I have to say that I miss physical media, CDs especially. My car doesn\u2019t even have a CD player anymore so everything has to be streamed digitally. In the last few years I\u2019ve been mostly listening to pop music, but the last band to truly inspire me were The Smile? \u2013 featuring Thom Yorke and Jonny Greenwood. I\u2019ve watched the recent live performances on YouTube and the quirky complex songs are quite often a mind-fuck that require complete absorption. <\/u><\/strong><\/p>\n\n\n\n

3.     <\/strong>You had a run of very good albums from the self-titled EP, right through to Emergence after which you were signed to Kscope, did signing for a major label put any additional pressure on you <\/strong><\/p>\n\n\n\n

To be honest, they\u2019ve always been very supportive. They\u2019ve never tried to change us and given the type of non-mainstream music we produce they kind of knew what they were in for when they signed us. I work closely with Johnny Wilks from the label who is a fantastic source of help when I ask him to scrutinise the album demos. <\/u><\/strong><\/p>\n\n\n\n

4.     <\/strong>Your initial sound was described as being progressive but the new album This Is What A Winner Looks Like? is definitely more intense and hard rock oriented (in my opinion), is that a natural evolution of the band\u2019s sound or was it intentional <\/strong><\/p>\n\n\n\n

It\u2019s a natural evolution because we\u2019ve found that the heavier music is more enjoyable to play live due to its intensity. However, we still have a wide range of musical styles that we enjoy writing in. In fact, we recorded 7 other songs that were not as heavy as the other material on the album which we purposely left out because they didn\u2019t necessarily fit with the vibe of the album. Three of those songs are included on the bonus track Crushed while the other 4 tracks will be released over the course of the next 12 months. I suppose you could say that these tracks showcase the gentler side of Godsticks.<\/p>\n\n\n\n

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5.     <\/strong>There is a lot more focus on guitar riffs and a dissonant edge, do you think this will transfer into a live arena particularly well and are you looking forward to getting out there and unleashing the new music on your fans <\/strong><\/p>\n\n\n\n

Always! Every time we write a song we try to imagine what it would sound like live. Not that we would impose any restrictions on ourselves by reducing the instruments\/overdubs etc but we simply imagine what we would like to hear if we were the ones in an audience. It\u2019s important for a song to have some sort of physical impact upon me, which is usually manifested with a vigorous head-nodding!<\/p>\n\n\n\n

6.     <\/strong>Is the new album a lot different to your last, Inescapable? You say that the writing process was different with a lot more collaboration with other band members <\/strong><\/p>\n\n\n\n

Each album has resulted in more and more input from each member. I\u2019m the main songwriter primarily because I find it almost impossible to come up with good vocal melodies over ideas that other people have written, which is a shame because Gavin often comes up with some great riffs. But Godsticks music has always been about textures as well as riffs, and the parts that Gavin comes up with on synth and guitar are integral to the songs and enhance them in a way that I would likely be unable to do.<\/p>\n\n\n\n

Tom also hides the seams between seemingly disparate sections of music, and without his ingenious drum parts the songs would sound very different indeed, and worse for it.<\/p>\n\n\n\n

7.     <\/strong>How do you go about writing a Godsticks track, what influences the creative process <\/strong> <\/p>\n\n\n\n

Usually, things start with a guitar riff or drum beat and I take it from there. A lot of ideas emerge from either studying music, practising or transcribing things. It\u2019s usually when I least want to be distracted from the task in hand that inspiration strikes. <\/p>\n\n\n\n

Sometimes, although it\u2019s very rare these days, I\u2019ll get inspired by a new band or song which I love. The last occasion something creative happened like that was when I watched a live show of The Smile? \u2013 I was so blown away by the music that I felt inspired to sit at the piano and write something. That track Crushed features on the bonus disc.<\/p>\n\n\n\n

8.     <\/strong>How did you cope with the lockdown? A lot of musicians I know have actually said that they found the whole period to be very creative and have come up with a lot of new ideas <\/strong><\/p>\n\n\n\n

Well, I experienced the opposite sadly. I never wrote a single piece of music during the lockdown period. I tried to force it but in truth, most of it was poor.<\/p>\n\n\n\n

That\u2019s not to say that I didn\u2019t make use of the downtime. I spent all my time either studying or practising and even began delving into the world of electronics and having zoom conversations with expert amp builders. <\/p>\n\n\n\n

I also began reading books on synth programming and understanding exactly how they worked. That episode will definitely benefit our music in the future.  <\/p>\n\n\n\n

9.     <\/strong>Obviously, due to the pandemic, you couldn\u2019t play live after you released Inescapable, how frustrating did you find that <\/strong><\/p>\n\n\n\n

It was incredibly disappointing as you can imagine, but at the same time the fact the world was a little bit strange to say the least put things in perspective a little. Then as the pandemic dragged on we started to worry if there would even be any venues or promoters in business when the world eventually re-opened its doors.<\/p>\n\n\n\n

So whilst it was frustrating, that feeling was eventually subsumed by relief that things could finally get back to a state of normality.<\/p>\n\n\n\n

10.  <\/strong>I know most musicians will say that their current release is their favourite but do you hold any of your previous albums in particular regard and, if so, why <\/strong> <\/p>\n\n\n\n

I would say Emergence is probably the most important of our albums, as it heralded the future sound of the band. At the time of its release, It may have seemed like an abrupt left turn in terms of heaviness but I think the overall sound and vibe of that album proved that this was our natural sound.<\/p>\n\n\n\n

11.  <\/strong>Who would you consider to be the best live act today and one you would pay to go and see <\/strong><\/p>\n\n\n\n

Meshuggah! I\u2019m desperate to see them play live. The last time the opportunity arose the nearest place they were playing was Bristol, but I absolutely hated the particular venue they were playing, so didn\u2019t go.<\/p>\n\n\n\n

12.  <\/strong>What\u2019s next for Godsticks or are you just concentrating on getting the new album out and playing it live <\/strong><\/p>\n\n\n\n

Our sole focus at this time is rehearsing the new music to perform live at our upcoming shows in June. Then it\u2019s just a question of how many gigs we can successfully put together and how many festivals that will welcome us.<\/p>\n\n\n\n

13.  <\/strong>What do you do to relax away from music <\/strong><\/p>\n\n\n\n

Most of my life is taken up by music, whether that\u2019s practising, studying or writing, but in the evening times I like to watch TV. I\u2019m a big fan of shows like Succession, anything HBO, and stand-up comedy. I also like to read non-fiction books on biology and history.<\/p>\n\n\n\n

14.  <\/strong>Finally, what, if any, advice would you give to that younger version of yourself who was just about to release the debut EP in 2009 now you have been on the rollercoaster for 14 years <\/strong><\/p>\n\n\n\n

As someone with an aversion to reading manuals and instead intuitively fumbling there way around new technology, whether that\u2019s creating synth sounds or learning how to use my gear, I would advise myself to take the time to learn the technology you\u2019re surrounded with, especially production techniques. These are often invaluable tools to assist with your creativity. That\u2019s something I\u2019ve changed my approach to in the last 3 years or so, and these days I look forward to reading a manual!<\/p>\n\n\n\n

‘This Is What A Winner Looks Like’<\/em> <\/strong>is released 26th May, 2023 on Kscope<\/strong><\/p>\n\n\n\n

Order the album here:<\/p>\n\n\n\n

THIS IS WHAT A WINNER LOOKS LIKE (lnk.to)<\/a><\/p>\n\n\n\n

Listen to the track Mayhem<\/em><\/strong>:<\/p>\n\n\n\n

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